Exhibition and Book Proposal

Catherine Tedford

Publicly placed stickers with printed images and/or text have been used for decades as a form of political protest or to advocate political agendas. In the United States, for example, as early as the 1910s, labor unions such as the Industrial Workers of the World created the first “stickerettes” or “silent agitators” to oppose poor working conditions, intimidate bosses, and condemn capitalism.

Later, during World War II, Allied and Axis countries dropped gummed “paper bullets” or “confetti soldiers” from the sky as a form of psychological warfare to demoralize both troops and civilians. During the 1960s and ’70s American civil rights era, paper “night raiders” protested the war in Vietnam and U.S. imperialism, calling for racial and gender equity among blacks, whites, men, and women. Colorful, lightweight German spuckies have also been used for several decades to combat fascism and sexism and to comment on environmental issues.

Drawing from the private collection of Catherine Tedford, the exhibition and publication will feature thousands of original, unused political stickers from Canada, Egypt, England, Germany, Indonesia, Mexico, Russia, Spain, Ukraine, the United States, and other countries, dating from the early 20th century to present day. Both are organized by subject, including gender and sexuality, labor and workers’ rights, racism, surveillance, war and conflict, the environment, and police reform. Stickers are also grouped by geographic location and date.

Catherine Tedford, gallery director at St. Lawrence University (Canton, NY, USA), first discovered street stickers while visiting Berlin in 2003 and has since collected over 15,000 original, unused examples from countries around the world. A two-time recipient of a DAAD German Academic Exchange Service grant, she has traveled to Berlin over 20 times to study street stickers. She writes about political stickers on her research blog Stickerkitty and has presented papers at academic conferences in Canada, England, Germany, Ireland, Scotland, and the United States.

In 2014 and 2015, two initial Paper Bullets exhibitions were presented at Hatch Kingdom Sticker Museum, Berlin, Germany. Variations of the initial Paper Bullets exhibitions were also featured in the United States at Susquehanna University (PA) in 2015, St. Lawrence University (NY) in 2017, and Central Washington University (WA) in 2018. The most comprehensive exhibition of Paper Bullets was presented at Neurotitan Gallery in Berlin, Germany, in 2019. (See review in Berliner Zeitung.)

Stickers have been published in a Street Art Graphics digital archive available to the public, free of charge, in Jstor. The archive now numbers over 4,300 items, thanks to an initial multi-year start-up grant from the U.S. Council of Independent Colleges (2015-2018) and a subsequent collection development grant to catalogue stickers by female artists (2018-2019).

 

Writing Samples

Published Essays and Journal Articles

Additional Contributors (to date)

Examples (USA)

Examples (Germany), all dated 2000s-present except spuckies

Examples (Spain)

Examples (Canada)

Examples (Mexico)

Examples (Egypt)

Examples (Russia)

Examples (Ukraine)

Born-digital photographs of stickers in situ from NYC, Berlin, Montreal, Poznan, and other cities can be added to both the exhibition and publication. Additional information about other traveling sticker exhibitions can be found here.

Catherine Tedford C.V.