“Paper Bullets – the expanded version” at Neurotitan Gallery in Berlin, Germany

In the summer of 2019, I was given the opportunity to present an expanded version of my Paper Bullets exhibition at the acclaimed Neurotitan Gallery in Berlin, Germany. Oliver Baudach, the director of Hatch Kingdom Sticker Museum, was the driving force that made the project possible. It was an enormous undertaking, in that for the first time I drew from my entire collection of thousands of new, unused, historical and contemporary political stickers from around the world. Neurotitan is a non-commercial, alternative art gallery that features urban art. Housed in the Haus Schwarzenberg in Mitte, the gallery dates back to…

C.V./Contact

Conferences and Panels Grants and Awards Exhibitions Organized Essays, Journal and Zine Articles, Blog Posts Exhibition Reviews Contact: Say hello to stickerkitty at gmail dot com. You can also reach me at work: Catherine Tedford, Director, Richard F. Brush Art Gallery, 23 Romoda Drive, St. Lawrence University, Canton, NY, 13617 USA. Stickerkitty © Catherine Tedford, 2008-present. The materials on this website may be freely copied and distributed so long as the copyright notice and website address are both included. If you plan to use materials from this blog for research and writing, please credit me and my work properly. Please…

Plugged

Update January 2023 The Street Art Graphics digital archive, originally constructed in 2015 in a platform called Shared Shelf Commons, is now being catalogued in a new platform called Jstor Forum. For now, digital collections created in Jstor Forum can be published in Artstor, Jstor, and elsewhere, though there is talk that Artstor will be discontinued in the near future (which is too bad, because I’ve always thought Artstor had the highest quality image and metadata display). The display in Jstor is definitely improving, but the metadata fields in Jstor are geared more towards text-based original materials than visuals, which…

“Takin’ it to the Street and Stickin’ it to the Man: Cultural and Political Resistance in Contemporary Sticker Art” – Part I

[Note: This blog post is based on the first national paper I gave on street art stickers for the annual College Art Association conference in February 2008 as part of a panel on “The Vernacular Print in Contemporary Art” chaired by Beauvais Lyons. I have updated some of the links and images to reflect more current resources.] In this paper, I examine contemporary sticker art as a form of cultural and political resistance, using primary examples collected since 2003 from the United States, Germany, and Canada. In the first half of the paper, I provide an overview of the “how,…

“WTF. It’s only a sticker.”

My paper proposal, “WTF. It’s only a sticker.” was accepted for a panel at the annual College Art Association conference in 2012.  The panel, chaired by artist Wendy DesChene, is called “Disrupt this Session: Rebellion in Art Practices Today.”  Here is my proposal below along with my Tedford CAA 2012 Proposal PDF. ______________________________________ Street art stickers, a form of post-graffiti, are now ubiquitous in the urban environment, and sticker culture permeates the Web on listservs, blogs, Flickr, etc. One listserv from PEEL Magazine called SLAPS Stickerhead Forum shows a thread from Tony, who writes, “who the fuck has time to…