“SHE SLAPS!” featured artist: Balo (Slovenia)

Please provide a brief description of your work. Funky with a kick! Does being a female artist or identifying as a female artist influence your work and if so how? In the beginning it took much more work to get credit, but when the respect is gained it never goes away. What’s the best thing about being a female artist in the sticker world? That you can stay incognito forever and you can use any colour you please. Is there anything else you’d like to share? Keep on slappin! Special thanks to Oliver Baudach, Hatch Kingdom, Berlin, Germany, for his…

“SHE SLAPS!” featured artist: Susi Possnitz (Austria)

Please provide a brief description of your work. The subject of the sticker is a smiling used sanitary tampon, digitally drawn with quick and rough brushstrokes and colored in a simple and flat manner. Does being a female artist, or identifying as a female artist, influence your work, and if so, how? Yes, it does. Some of my works focus on gender related topics, like an editorial design for an brochure with tips and action steps against gender-mainstreaming or an explanatory card game about menstruation. All of those projects include my personal experience and are based on my perception of…

“SHE SLAPS!” featured artist: Allison Tanenhaus (USA)

Please provide a brief description of your work. I create colorful stickers based on my beloved cats, my glitch art, and my street-art tag, WHAT. The goal is to create connection and community in public spaces, where signage is typically geared towards commercial enterprises (advertisements, store signs, logos on clothing and cars). Putting out aesthetically appealing, self-expressive works amidst the hubbub lets genuine artists stake a claim out in the world, and fosters inquiry and attention to details that are all around us. I love to put my work amongst other sticker art, creating a collective destination that honors the…

Featured artist: Sherebel (Albania)

Ada Reso, one of the artists that I met recently from the Slavers of NY sticker project, was in Albania earlier this year and sent me some political stickers from an artist there who goes by the name “Sherebel.” I reached out to see if Sherebel and I could meet on Zoom so she could tell me more about her work. First, here is the bio she sent me. Artist biography Livia Tice, aka „Sherebel“ (art & street name), is a 22 year old genderfluid & queer identifying person from Tirana, Albania. She is a writer, a slam poet, a…

Featured artist: Zola (MTL)

In 2019, I happened to meet Kevin Yuen Kit Lo, a graphic designer, educator, and community organizer, who was working at the annual Montreal Anarchist Book Fair. He had a bunch of stickers for sale by him and by another artist, Zola, also from Montreal. He gave me Zola’s contact info for an interview via email, which is featured in this post. Zola is a new member of Justseeds Artists’ Cooperative, and her bio from the Justseeds website is listed below: “Zola is an anarchist, queer, settler of french-canadian descent based in so-called Montréal, occupied Kanien’kehá:ka and Anishinabe territories. She…

My Father’s MLK Cassette Tapes

Several years ago, my stepmother gave me my father’s papers after he died in 2008, documenting his involvement in the US civil rights and anti-Vietnam war movements in the 1960s and ’70s. In 2019, she sent me another box, and this one included three cassette tapes. Two are marked “Martin Luther King, Washington 1967” (though the 7 in each date is crossed over with a 6). The third tape is marked “William Sloane Coffin, Carl McIntyre 2/5/66, Clergy & Laymen Concerned About Vietnam March – Washington, D.C.” This past month, I started to transcribe one of the tapes, and here…

Featured artist/collector: Morgan Jesse Lappin

I’m pretty sure that Marisa Zarczynski ’ 06 was the first student at St. Lawrence University to help me with my budding sticker research project back in the early 2000s. We reconnected again lately, and she introduced me to an artist friend of hers from Brooklyn who collects stickers, Morgan Jesse Lappin. Here is his sticker story. “My sticker collection started in the early 80s in Rockland County, NY. My mother would take me to the supermarket, and I’d get a bunch of random stickers and the newest MAD Magazine. One day my mother gave me an empty photo album…

Adding images of I.W.W. ”stickerettes” to Wikipedia pages

Today is Wikipedia’s 20th anniversary, so it’s a good time to share some of my recent Wikipedia activities. For the past couple of years, I’ve been adding images of I.W.W. “stickerettes” to various Wikipedia pages. The stickerettes, which were published before 1925, are in the public domain, so copyright is not an issue. 23 Feb 2019 – added two digital image files of Industrial Workers of the World (I.W.W.) stickerettes or “silent agitators” to Silent agitators. 1 Jan 2020 – added images file of stickerettes to Anarchist symbolism (black cat), Strikebreaker (“scabs”), and Sabotage (French sabot). 10 Jan 2020 –…

“Takin’ it to the Street and Stickin’ it to the Man: Cultural and Political Resistance in Contemporary Sticker Art” – Part I

[Note: This blog post is based on the first national paper I gave on street art stickers for the annual College Art Association conference in February 2008 as part of a panel on “The Vernacular Print in Contemporary Art” chaired by Beauvais Lyons. I have updated some of the links and images to reflect more current resources.] In this paper, I examine contemporary sticker art as a form of cultural and political resistance, using primary examples collected since 2003 from the United States, Germany, and Canada. In the first half of the paper, I provide an overview of the “how,…