More on I.W.W. “stickerettes”

I’ve had the luxury of spending several hours during the last few days doing research on the I.W.W. stickerettes that I posted about previously on June 3, 2012 and July 28, 2012.  I’ve decided that I need to include some historical background information about stickerettes in my sticker book, which I am tentatively calling Takin’ it to the Streets and Stickin’ it to the Man: Contemporary Sticker Art as Cultural Expression and Political Protest.  It’s a terribly long title.  The other title I’ve been thinking of lately, however, is simply Paper Bullets.  Short and sweet! The commercial artist Ralph Chaplin…

I.W.W. “stickerettes”

After learning recently about S.D.S. stickers (Students for a Democratic Society) in the U.S., I’ve been expanding my collection with a few more examples like these from the 1970s. Online today, I came across something even older – stickers from the early 1910s-1920s that were created for the Industrial Workers of the World (I.W.W) and used as “silent agitators” or “silent organizers.”  On Facebook, the Labor Archives and Research Center at San Francisco State University features six stickers, which at the time were called “stickerettes,” and writes, “they were easy to anonymously stick on surfaces throughout the job site (including…

Chapter proposal: Street Art Stickers as Subversive Visual Discourse

A chapter proposal that I submitted for a new anthology was recently accepted! Entitled Unframing the Visual: Visual Literacy Pedagogy in Academic Libraries and Information Spaces, the volume will be published as a companion piece to the Association of College and Research Libraries’ Framework for Information Literacy in Higher Education (2016). The new collection features four sections: participating in a changing visual information landscape; perceiving visuals as communicating information; practicing visual discernment and criticality; and pursuing social justice through visual practice. My proposal was accepted for the section on pursuing social justice through visual practice. My chapter proposal Publicly-placed stickers…

“Slap Me Baby” interview

Folks from the Slap Me Baby sticker collective in Switzerland contacted me in the spring of 2020 to submit an essay on I.W.W. “stickerettes” and to respond to some interview questions for their next zine. They also sent me some great artists’ and political stickers, which are in the queue to be scanned and catalogued into the Street Art Graphics digital archive. Zine #3 can be purchased on the Slap Me Baby website here. I read the interview again today and decided to publish it on Stickerkitty, too. Can you describe in short words how your interest in stickers began…

Working from home during the COVID-19 crisis: Post #3

I continue to work from home on digital image collection projects that I outlined in my first post from this COVID-19 series, focusing now on a series of confocal miscroscopy images generated by two faculty at St. Lawrence University: Jill Pflugheber, Microscopy Specialist, and Dr. Steven F. White, Lewis Professor of Modern Languages and Literatures. This digital project grew out of an exhibition this past spring at the Richard F. Brush Art Gallery at SLU called Microcosms: A Homage to the Sacred Plants of the Americas. Here is the exhibition text panel that the two faculty wrote to accompany the…

Ten new “stickerettes”!

I have acquired ten new I.W.W. stickerettes! They came from a packet with text on the cover that reads “Stickerettes – Silent Agitators – Fifteen Different Designs – Black And Red – Stick ’Um Up!” There is also an image of a black sab cat in a wooden shoe that was likely designed by or borrowed from Ralph Chaplin, whom I’ve written about before. Sorry for the poor screen shot of the envelope; it’s the best I could get. I can confirm the dates of these stickerettes, too. The I.W.W. headquarters were located at 1001 West Madison Street in Chicago,…

Vote Yes For Woman Suffrage sticker (1915)

In my search for the earliest U.S. political stickers, I’ve come across overty thirty different “stickerettes” or “silent agitators” produced by the Industrial Workers of the World dating from the mid-1910s to present day. Stickerettes were advertised in I.W.W. pamphlets and newspapers as early as 1917, based on microfilm reels I’ve viewed of the group’s Solidarity newspaper. I don’t have anything else that dates the earliest stickerettes, however. (Search “stickerette” on Stickerkitty to see previous posts on these items.) However, recently I found this women’s suffrage sticker from 1915 that is dated and affixed to an envelope also dated 1915!…

New “People’s History Archive” Website!

Project History Initiated in 2015 by the Richard F. Brush Art Gallery and the Libraries and Instructional Technology (LIT) division at St. Lawrence University (Canton, NY), the People’s History Archive features selected street art stickers, posters, and ephemera from around the world dating from the 1910s to present day. Contributors include undergraduate students, young alumni, and faculty who create mini-online interpretive exhibits using items from a Street Art Graphics digital archive and/or from items contributors have selected themselves through off-campus research projects. Items can also be viewed on an interactive timeline and map. The original Street Art Graphics digital archive…

SLAPS 2 at Con Artist in NYC

Students in my Street Art Graphics course at SLU made one-of-a-kind stickers to submit to the SLAPS 2 exhibition at Con Artist in NYC that just opened a few days ago. Here are some examples. Margaret Chandler is a Global Studies major who recently spent a semester in Kathmandu working with a group of street artists. Sarah Churbuck, a.k.a. “Miss Phiddler,” is from Florida and has been creating different images related to the ocean, especially mermaids. Rebecca Clayman is the queen of D-I-Y, often spending hours making intricate one-of-a-kind handmade envelopes on found papers and boards. This sticker is similar.…